Ehor Antsyhin was born on July 16, 1989 in the Yuvileine village, Dnipropetrovsk region. He graduated from Dnipro Theater and Art College in 2009 and the National Academy of Fine Arts and Architecture in 2015. From 2013 to 2015, he visited contemporary art course by K. Badyanova and L. Nakonechna. Participated in the Specific Dates art group (KKD) in 2015-2018, Montage art group in 2016-2020, the «Gaude Polonia» Scholarship Program in 2020. Works with the theme of memory and discoveries within it through the conflict of personal and official history, social criticism, labor relations.
For the last 5 years he has been actively involved in land art. The last affected his view and perception of the landscape to some extend and helped him to open a new method of interaction with space, the rejection of object-subject relations with the environment and the inclusion of space not as a part but as a participant in the interaction in his works also actualizing the topics of ecology and overproduction. But the golden thread of his artistic practice remains the theme of memory, recollection and oblivion.
He uses the following media: installation, photography, painting, participatory and performative practices, archives, land art. Lives and works in Kyiv.
2023
"My broken bones", Galeria Labirynt, Lublin, Poland
2019
"Where are we going to swim", White World gallery, Kyiv
2018
"Let's forget", personal exhibition, Artsvit gallery, Dnipro
2017
"Cleaning schedule", participatory project, curated by Lera Karpan, Port Creative Hub gallery, Kyiv
2015
"Curfew", personal exhibition. Partcom gallery, Kyiv
2014
"In active search", personal exhibition, Galagan Art Museum, Chernihiv
2022
"Flag bearers" at the exhibition "Live in one day", Khlibzavod gallery, Kyiv, Ukraine
"Opening", "Dome", "Cherry up" at the exhibition "Tam de now", Galeria Labirynt, Lublin, Poland
2021
"Column" at "So What's Up With The Mammoth?" exhibition, curated by Natalia Matsenko, The Naked Room, Kyiv
2020
"Unique experience scenario" at the "Tam gdzie teraz" exhibition of Gaude Polonia program participants, Galeria Labirynt, Lublin, Poland
2019
"Some types of wheat" at the Art Bread Biennale, Kyiv
"Kaibash" at the exhibition "Corrosion of character - a flexible person". Curators: Kateryna Filyuk and Alessandra Tronkone. Izone, Kyiv
"Temporary List" and "The Fact That You Have Lived There For All Your Life Doesn't Mean Anything" at the 2nd Biennale of Young Art, Kharkiv
"Bigger space". Curated by Natalia Matsenko, Vitaliy Kokhan, Konstyantin Zorkin, Stanislav Turina. Yermilov center, Kharkiv
2017
"Lil`Rap" (Rapchik) — the practice of collective recollection, as a member of Montage art group. Festival of young Ukrainian artists, Mystetskyi Arsenal, Kyiv
"44% of attractiveness" at "Earth As Not / A Subject" group exhibition, the art part of the Land Response project, M17 gallery, Kyiv
"Chernivtsi Gas", in collaboration with Polish artist Jolanta Nowaczyk; work with the archive, intervention in the local newspaper named Young Bukovinian; group post-residential exhibition, curated by Waldemar Tatarchuk, Bunker Gallery, Chernivtsi
"Citizen Cream", an action in a tram with a delegated performance during a travelling discussion platform on "Temporarily displaced persons", Olesya Khomenko as a curator-tutor. Public space, Kyiv
2016
"Montage" total installation, White World gallery, Kyiv
"Cleaning schedule" at DE-NE-DE group exhibition under the "Plate", DE-NE-DE curatorial group, Kyiv
"Red Corner" at "Dnipro Collider" festival of contemporary art, curated by Igor Kudelin, Museum of Ukrainian Painting, Dnipro
"Controlled Explosion Of Void Filled To The Limit And Was Uncontrollably Created On The Bottom Shelf In My Closet" at "We Will Not Meet Today" group exhibition, curated by Kateryna Badyanova and Lada Nakonechna, Closer, Kyiv
2015
"Crimea" at Marts group exhibition, curated by Julia Heiko, M17 gallery, Kyiv